Writers have much in common with actors. We mine our own emotional experiences for words on the page and actors do the same with faces on the screen. Recently, I received “Improv for Writers” as a holiday gift, and the book goes even further than my analogy does.
Still slogging away deepening my character’s arc, I wanted to know more about her son. He lives in New York, he’s just married, he’s 31. But why is he living in New York? Because I wanted two adult children living on opposite coasts away from their mother. That serves my main character well.
But. Isn’t it expensive? What kind of job does he have? Oh, he works on Wall Street. Oh, he is one of those guys who writes computer programs that work so much better than humans in picking out winning stocks. Okay!
What these brilliant math coders figured out is that taking OUT the emotion is what makes an algorithm so much more accurate than a human at choosing winning stocks. Because humans have emotion. Computers don’t.
So now I have a way for Jane to interact with her son as they seek to find resolution to a complicated family tragedy. He is all about taking the emotion from the equation. Her daughter (his sister) is nothing BUT emotion. That took me maybe a half hour of improve on Saturday morning to figure out.
On Sunday I got the book, Improv for Writers, that claims to help me “generate infinite ideas” by “letting go of control as a creative person and trusting your imagination to create.” I already knew to trust my imagination, but I am not always so great at the initial letting go of control.
But. Work needs to be done. Original and creative work on Jane’s arc. And Jorjeana Marie promises that the “real power behind letting go of control as a creative person is trusting your imagination and ability to create.” Yes, please, I’ll try some of that.
The book is full of prompts both light and dark, both funny and tragic. And Chapter 14 is all about character. I didn’t count the number of prompts just for digging deeper into character, but there are many. Simply turning to that chapter made my writing juices start to flow.
It’s that kind of book. You can skip to what you need right away if you seek a specific kind of help for your story (like I do) or if you are totally blank for ideas, let’s say for a blog post (like I often am on Monday morning) you can start at the beginning or anywhere else that grabs you and says YES. THIS.
I’m beginning to suspect there is no writing occasion or situation that cannot be improved with improv. And particularly at this busy time of year, when writing hours are in short supply, I love the timed writing suggestions for freeing up creativity around character, plot and setting ~ and so much more. Even blogging. 🙂