The Paris Notebook is still in process. Another editor read it, liked it, and suggested revisions. She had a really good idea for how to fix the nagging problem of conflict. Or lack thereof. Creating conflict is an element of story I’ve struggled with since I began writing fiction. Lack of plausible interal conflict between the hero and heroine was the reason Harlequin turned down Blue Heaven. And once again, it’s the internal conflict between the hero and heroine that is missing.
The bad news is, still no contract. The good news is, she wants to read it again after I revise it.