I like this but I wish I could delete the punctuation. I did it for an Insta post and I’m still unsure about sizing. Like can I just make it fit Twitter, too? And Facebook? Pinterest? I’m sure the tools are there, just not of my ability to use them. This is not an intuitive process for me, I’m not patient enough to work through small details. Except on my books, and even there, I have an editor. Thus, creating images takes a lot of time, but I think in the end it will be worth it.
In other news I am also am working on a sell sheet, now that my publisher has distribution through Lightening Source. The PR person helps as much as my editor. She has given me a template on what to include and Canva should be helpful for that, too. Distribution is a huge thing. Before it was all e-sales or hand sell print books. Now I can send a book to the local St. Pete bookstores and hope they order some!
All was quiet. Al had gone golfing. I’d turned off my phone. And I read my book one more time. In galley, which is the final form before publishing. There are line numbers on every page as well as page numbers. This is the last chance to change or fix any errors. There was one thing my editor found (a song lyric) I needed to eliminate. I know my publisher does not run down copyright holders to ask if they can reprint a song lyric. But I seem to sneak a lyric or two into every single book.
Then there was the weird thing where a sentence starting with a number must be spelled out. Jane lives in unit 202 and sometimes I did the shorthand, and started a sentence with a number. Last edit, editor told me that rule and I said, okay well just spell it out then. But when I got the galley, it looked funny, so I changed the first word to Unit, which editor said was an option, so I could have the number not spelled out because “Two oh four” seemed ugly on the page. Especially phonetically spelling “oh” instead of zero.
So I changed those.
Then I spied a space between a quote mark and the word. Bored yet? It’s like that. With galleys I do not go in and revise unless I absolutely have to. I’ve been through three rounds of edits, all the major plot problems have been ironed out and the minor ones too. I still want to change a few things, but I don’t because that’s not what galley proofing is about. An author will always want to change things, but if a book is going to be published in a timely manner, it’s done when the galleys are proofed.
So, it’s done. Now I need to wait for what the publishers do next. Editor said “copy edit” and I am not sure why that is different than the other edits except maybe because it’s a galley? But whatever it is, I don’t have to do it. My job is done. For now. Still don’t have a pub date…but it won’t be too much longer. Meanwhile I can work on book two called (for now) Death on the Bayou. I looked and there are no other books with that title.
And then under the title, on the inside front matter, it will say “A Jane in St Pete Mystery” and maybe under that Book 2. I did see “A Jane in St Pete Mystery” Book 1 on the galley proofs. Should have taken a picture!
True to her word, I heard from my editor last week after delivering my manuscript of Jane in St Pete in early January. I’ve second and third guessed myself since then, but she said it was a “treat” to read and my characters were “quirky and interesting.” She’s sending it to the senior editor with a recommendation for a contract!!!!
There will be edits but nothing big, nothing like I imagined in my head. I am so relieved and pleased. Another piece of good luck landed last week, too. My Michigan chapter of Sisters in Crime wants me to lead a workshop in June. I’ll be the opening act for our star, Jane Cleland. What an honor. And if the virus still holds us captives in our homes, we will do it online.
My editor says it will take about two weeks to hear from her boss, so in that time I’ve been reading mystery short stories and trying to glean anything I can about writing the mystery short story. I have written a few. My vague plan is to dig out “The Charming Criminal” which formed the base upon which I built my secondary characters, Barb and George.
I am not a plotter, not really. I let the story take me where it wants to go. If I’m floundering in the middle of a long work, I step back and determine what needs to happen. Jane Cleland has a very good piece of instruction about how to deliberately plot a mystery and that helped, but still, my story tends to go its own way. I hardly know what I’ve done until it’s over.
However, my favorite part of teaching has always been planning the lesson. So my plan is to take “The Charming Criminal” apart to figure out how I put it together. Because I can’t find any books on the internet about how to write a mystery short story. Although, as a start, I’m reading the best ones published last year.
(OMG Joyce Carol Oates “The Archivist” from this collection is so good. Chillingly so.)
Some writers sneer when another author says their books write themselves. One guy said to give that answer about how you write is to be disingenuous. Nope. One example is the way I ended the book. My editor really liked it. She said it wasn’t the usual pages of monologue where the murderer tells all about his crime. Well, at the time, I was just going by intuition.
I did have to rewrite that last scene from scratch a few times. I tend to know (not always, but mostly) when things in a narrative don’t work. So I just keep trying until I get something that feels right. No idea my ending was at all unusual until my editor admired it for that very reason.
There will be edits and other writerly stuff to take care of, but for now I’m bursting with pleasure on my own little cloud of happiness.
“Nobody wants to read women over thirty.” So Becky Masterman learned when she sent her first Brigid Quinn novel out to agents. That changed a few years later, at least for Masterman. She’s now published four Brigid Quinn crime novels, and I am hooked. Also, Masterman inspired me to try to write my own older character.
My current publisher has never said no to any of the six books I’ve published with them. I’m not sure how they will like Jane’s age (55). I would sure like to read more smart and strong older female characters like Brigid. I can’t find any. I wrote Jane as much for myself as I did for anyone. Since I’m almost finished with her story, I’ve decided on a pain-free way to show the manuscript to agents and editors.
Pitch Wars is new to me. Another member of Michigan Sisters in Crime sent out a call for someone to partner up with for this competition and I responded. It’s been a long time since I wrote a book proposal, which is what you do for Pitch Wars. I want to know, for better or worse, what the reaction will be to my older heroine. Is there still resistance to older female characters?
If so, I don’t get it. Baby boomer’s average age is 57. Many boomers are retired. More time for reading. We already know women out-read men by a wide margin. So the target audience for older female characters with grit and grace seems to be ready and waiting. I know I am. If you have any favorite older female characters (I already know about Miss Marple :)) please let me know in the comments.
Am I just quirky and out there? Or are other baby boomer readers also longing for main characters closer to their own age?
I’ll let you know what I hear about my older heroine from the publishing sector after Pitch Wars ends in late September. I’m interested in what they have to say about Jane. Interested and a little nervous.
When my writing group came over Saturday for breakfast and critique, I showed them the book stack photo I’d posted on Instagram. The book stack was all the books we’ve published since we’ve been together, but I had a feeling there were a few I’d missed. Turns out yes, there were even more books.
What I was right about is that none of us had published any of the books in the stack before we became a group eight years ago. And now we’ve got 15 books of fiction published between us, with four more on the go. Two of us had published a few books before, but the other two had not published anything, although they had lots of novels in manuscript form. We accomplished the getting published part together. Our monthly Saturday morning meetings have made me (and I hope, each of them) a better and more prolific writer.
Maybe because I knew I needed them, I started the group. It went through a few iterations before it became the firmly committed four of us, two women and two men, novelists all. And look at what we’ve done together. Everyone in the group seemed as stunned and satisfied as I’d felt when I had gathered those books into a stack and snapped that photo. It’s real, it’s tangible proof. Writing groups help writers get published.
I’ve been in many writing groups though the years, and all of them have had benefits, but this small group is the one that I count on when it comes to publishing a new novel. It took me a long time to find these folks, or rather, they found me. And I’m endlessly grateful. My life has been enriched by each of them, and not just my writing life. We’re all married forever types and the spouses are an extended part of our circle. They join us for breakfast before we get down to work. We see each other socially with our partners, too.
They stick by me, loyal even as I absent myself from Michigan for a few months these last few years. I can always count on them to tell me the truth, even when it hurts. None of us is a cruel critic, but we are honest. We are not simply cheerleaders for each other, although we are that. Our highest priority is to help each other write the best books we can, and sometimes that means saying the difficult things. In our favor is the fact that we all understand our core function: to help each other get it right, and get published, again and again.
Writing is a lonely job. You really won’t understand that until you’ve spent the time required to write and publish a book or ten. And that’s another key ingredient to a writing group: friendship with others who are committed to the writing life. I value these writers so highly. They get it, the writing thing, like nobody else, not even a spouse, does. I’m grateful to have them in my life. They help make being a writer less lonely. And they absolutely are the reason I have published such a satisfying number of books.
Wanna get published? Join a writer’s group. Or start one yourself.