Free Week Results…so far

I am not a marketing genius; the past 5 free days were my publisher’s idea. Wow it was fun. I printed out the page showing Blue Heaven at the top of the chart. It’s fun being #1. Today’s a different story, of course. Everyone got the book free and it’s down somewhere around 500K in paid lists. However, there has been some unexpected added benefit.

My first book, a writing manual with dollops of memoir, is #75 on the paid list, (which, let’s face it, that’s the one that counts) for adult and community education. I have the whole story of that book, how I came up with the idea right down to how I created a small press and handled distribution.

Your Words, Your Story was printed in ’07, early indie days. The chapter on self-publishing mentions Amazon’s Create Space. I interviewed someone who published with them and she graciously allowed me to use her experience in the book. Today, I could add more now with KDP and the digital book explosion. But the basic facts are there.

I also noted that my indie novel, Sister Issues, is about six times higher on the lists than the two newer books. Both my indies are .99 cents, and that may be a factor in their continued sales. What happened is that those free days for Blue Heaven made me and my back list more visible. And I’m pretty happy with that outcome.


Editors & Endings

I read a great book this weekend that would have been much better with a little help from an editor. As I started to read the novel, I was thinking “This person is so good. Why is s/he not traditionally published? Why isn’t there a movie deal on the table?” Sure, there were a few typos, maybe ten in the entire book. An editor would have caught those, but okay, the story is so good, I just read on.

And then I reached the end. Reader, it wasn’t good. It didn’t give that sense of completion a great ending always strives to achieve. It was like this person just stopped typing. And I felt really bad for that author, because an editor would have helped improve the weak conclusion. My editor at The Wild Rose Press spotted the sloppy ending of Blue Heaven, my soon to be released novel, right away. It was the first comment she offered me. And when she said it, I knew she was right. I scrapped 50 or so pages and got back to work.

As much as I love the indie community, everyone in it should have an editor. I have two degrees in English literature, taught writing to college students for almost two decades and worked as a staff reviewer in  two top trade magazines. I’ve read widely and have given editing advice to thousands of college freshmen. And I still need my editor to get my novel right.

About those college freshman…by far the most common problem I see in their essays is not grammar or usage issues, it’s the conclusion. College students can’t wait for the assignment to be over, so many of them dash off a weak conclusion. Novelists can’t afford to do that. Our endings should wrap up the story, but more, they should offer one last special something for the reader. Brilliant endings are just as important as fabulous openings. Conclusions can make or break a book. If the ending doesn’t work, that’s likely all a reader will remember. If an ending is special in some way, readers will remember that, too. And they’ll buy your next book.

Terry Tyler


I discovered British author Terry Tyler on Twitter, where we struck up a conversation about writing. She’s got several very funny but also heartwarming contemporary novels for sale on Kindle, and so far, I’ve read three of them.

Here’s a mini-review of Dream On, the first Tyler novel I read. Full Circle is the sequel; I loved revisiting these characters. The Other Side blew my mind. It has a brilliant high concept. Terry’s novels are set in small English villages and sometimes her characters make it all the way to London. A common thread is music. Many of her characters are musicians. These novels are as addictive as any I’ve ever read. I wondered “How’d she do that?” and so I asked. Here are her replies:

You have five novels out on Amazon  exclusively, right? Are they only in Kindle format or do you also have paper versions? Why did you choose to go this route with your work?

 My books are only in Kindle format.  This is because I haven’t got round to sorting out getting them done in paperback yet, though I am not sure that I will; I don’t really fancy doing the book signings that people seem to have to do to sell them; and it appears that you have to sell them so expensively to even get your money back.  Having said that, for vanity reasons if nothing else I would dearly love to see them in print form!

How long did you look for a publisher (if you did) before going indie? How does the term “indie” strike you? What are the perks of being an indie author?

 I found an agent who liked the way I wrote back in 1999, but I wasn’t prepared to change the plot of a book to make it fit in with what she thought she could sell to a publisher; I don’t know if that was silly of me or not.  When I started writing again after a 10 year break I sent a synopsis and sample of my new effort,You Wish, to an agent.  She liked it, and asked to read the whole thing, but when she had done so felt, again, that she couldn’t sell the whole story to a traditional publishing house.  I sent sample and synopsis to about 3 other agents with no luck, then just left it.  Then, about 9 months later, someone told me about Amazon KDP, so I thought I would give that a go.  The term ‘indie’?  It’s not one I use, and I don’t think of myself as “an indie author”.  I’m just a writer, and I’m independently published because no traditional publishing house has offered me a book deal, that’s all – I don’t feel it necessary to wear the badge ‘indie’.  The perks?  I suppose if you compare it with the self-published authors who go with a publishing company, it means that I get to choose my own pricing, for instance.  I’d hate not to have complete control over what I do.

One thing I love about your books is the voice. Your books are set in England, where you live, and the characters sound like it. When a New York publisher buys a Brit author, they take out all the Britishisms and put in American slang. That ruins it    for me. Your vernacular, your particular voice, is part of what draws me  to your stories. Does that come naturally to you? From reading your blog  & books it seems you come with a built-in sense of humor and the pages just flow. It seems effortless. Bet it’s not. Comments?

Thank you!  It’s such a compliment to be told that – I couldn’t wish for a greater one.  The dialogue and everything does come naturally, as do the nuances of any language to someone for whom it’s their mother tongue.  I wouldn’t say that it’s effortless, because I put a lot of work into making sentences and phrases tighter, or more amusing.  But I’ve always written stuff that makes people laugh, down to and including my Facebook status updates, so perhaps I am a ‘natural writer’ to some extent.  My books would be ludicrous if translated into American slang – they wouldn’t work at all because, as you say, they are very English!

How long did it take to write The Other Side? It covers a span of several years and it reads like someone is writing in-the-moment. So how did you do that? I was thinking as I read, I wonder if she wrote each part      when she was that age, or in that year? Did you?

 The Other Side took me 5 or 6 months to write, from December 2011 to May 2012.

It covers the period from 1987 to 2012 – 25 years.  I’m glad it works well in each different ‘moment’ – I suppose it does so simply because I’ve been all those ages!  I’d written a similar book in 1999, but I started The Other Side from scratch, using only some of the ideas I’d written in the previous one.

Was the structure of The Other Side a departure for you? It’s quite unusual and very cool. Tell me where the idea came from and how you did it. We have to avoid spoilers because the twist is so great. I even hate to say “twist” because then readers will be looking for it.

Years ago I read a book by Elizabeth Jane Howard that went backwards and it fascinated me, because I loved reading about the character in one situation, then going back to find out what brought her to that point in her life.  I’ve wanted to do something similar ever since.  I always make lists of timelines for the events in my stories when I am writing them, but I had to do much more so with this one, as you can imagine – and I made a few ghastly errors along the way!  Avoiding spoilers, I’ll just say that I’ve always been interested in the way the tiny threads and seemingly unimportant decisions take us to particular stages in our lives – and how easily everything can change.  I love books with complicated twists in them – Nobody’s Fault has a huge one, and You Wish has one on the last page!  The only one of my books which is just a straightforward story with no twists is Dream On – I’m overloading my brain trying to make my new one, working title Head First and currently at 20K words, contain a couple of good ones!

Your characters are so varied. How do you write about all the various people, who are all so different from one  another? Do you keep a list of character traits as you write or do those individuals just speak to you in their own way as you write?

I’m so glad the characters come alive for you!  I don’t write character plans or keep lists of their traits.  I think if I did they’d be cardboard; i.e., I don’t go, oh, better make Robert say this now, because I’ve just looked at my list and reminded myself that he’s supposed to be insecure.  I wouldn’t say that ‘they speak to me’ because that would sound pretentious; I don’t know, really; I just visualise them, and then I write about them!  Oh dear, I’m not really telling you very much, am I?!   I do think about them, when I’m doing other things, so I suppose that’s how I develop them in my head.

Let’s talk revision. How many drafts  do you write? Do you have anyone to edit? Do you belong to a critique group? About how long does it take you to write a book, start to finish?

I write about 6 drafts per book.  I couldn’t bear to have anyone edit anything of mine – perhaps just as well I’m NOT traditionally published!  I don’t belong to a critique group and never have done – I’m not much of a one for groups and I’m fairly confident about how I write anyway.  I’d prefer to listen to the opinion of the reading public; I think I can tell if something isn’t working during the editing process.  Obviously I’ve made mistakes, but I hope these will be less and less as I go on.  My sister is my only ‘beta reader’.  Takes me about 6 months to write a book.  You Wish was published in November 2011; I wrote it in 2010.  By the time I published it I had nearly finished Nobody’s Fault, which was published in January 2012.  The Other Side, which was the 3rd one, was published in May 2012.

How do you market your work? Or do you  not bother? Any tricks or ideas? (I dislike marketing and don’t do very  well at it, myself).

 Marketing – Twitter, Goodreads, Facebook, book blogs.  I spend a lot of time on it.  I liked and used social networking sites before I published on Amazon anyway, so the ‘marketing’ of my books is only an extension of that – except that I don’t bore all my Facebook friends with posts about my books, and keep it for my author page only.  Tricks or ideas?  Loads, far too many for an interview such as this!  In a nutshell, remember that marketing is about communication.  And it takes time and work, lots of it.  You don’t build up an ‘online presence’ overnight, or by thinking ‘oh God, I suppose I’d better post something on my Facebook page’ once a week.

What is your writing background? Did  you go to University? Do you have a creative writing degree or did you ever take workshops or classes? Did you write non-fiction before you  started writing fiction?

 I don’t have a writing background.  I didn’t go to university because I was much too rebellious to knuckle down to anything like that in my late teens.  I’ve never attended a workshop or class.  Or written non-fiction.  I used to be really good at English at school, though, ha ha!  I wrote some short stories in my 20s, but they were pretty crap.  Aside from the stuff I’ve always done to amuse my friends, I’ve written nothing else until I wondered, in 1993, if I could write a novel.  Then I wrote one.  And another, and another, and…  then I stopped for 10 years, started again in 2010.

Why do you write?

 Because I enjoy it!

Thanks for wanting to interview me, Cynthia – I hope my answers are of some interest to you and your readers, though I am acutely aware of not having very much to tell you!!  I don’t have lots of complicated creative processes – I just write stuff! 

 Just the opposite, I learned a lot! Cheers, Terry

Blog It! the author’s guide to building a successful online brand


Molly Greene

Ever wanted to start a blog? Already have one and can’t get excited about it? Molly Greene’s  power tool of a book is all you’ll ever need. Molly, an author I follow on Twitter, and have reviewed before, sent me an advance copy of Blog It! and I ate it up like brain candy. Which is weird because I’ve had a blog for ten years. Ten years sounds impressive, but after reading Molly’s guide,  it felt as if having a ten year old blog is similar to having a pair of ten year old blue jeans. You want an update every decade or so.

Molly’s book taught me so much. When I read it, I was pretty much blogged out. I’d said everything I had to say about the art and craft of writing and publishing. But Molly re-energized me with her concrete solutions for bloggers in need of new topics. I had to stop reading to jot down ideas for posts, that’s how fast this book works.

Blog It! is easy to follow and packed with pertinent information. Molly gives clear, concise instructions for beginning bloggers and those of us in need of a blog-lift. I’d recommend this book to any blogger, from seasoned pro to newbie to not quite there yet.

Having found (at least) twenty things I want to try,  I’m already implementing Molly’s suggestions, like using widgets to build a tag cloud, adding social media icons, and joining Google+. Don’t let these terms scare you off; if you follow Molly’s step-by-step instructions, their meanings will become crystal clear.

Blog It! teaches more than how to navigate a Word Press dashboard. There are sections on building readership, blogging a book, and how to shoot page views through the roof. But the biggest thing I learned is that you CAN teach an old blogger new tricks.

My First Zombie Read!

I was a bit uncertain about reading a zombie novel, but I enjoy M.A. Rogers’ tweets so much I already knew he was a good writer. There’s an art to tweeting, and M.A. has it. Even the humor in the title drew me in “Chivalry is Undead: Just Another Zombie Love Story.” Had to smile at that one. So going in I knew I had three things books I love need: Clear writing, vivid humor, and heart.

From the first chapter, written as a blog in the normal world of Stephen, our soon-to-be zombie killing hero, I was hooked. Stephen thinks it’s weird that half of the people at work are out sick, he senses things are a little bit off, but he stops by his favorite bar after work anyway, where Jessica, the lovely bartender of his dreams, pours him bourbon as they trade stories of the days’ strange feel. Neither of them yet know that they are living in a new world, one controlled by zombies, and their flirty banter reflects that.

Home on his computer, Steve quickly realizes that Texas, from San Antonio to Houston, has gone zombie. He finds Jessica and the two of them head out for Houston where Steve’s buddy and his family are dealing with the same big city zombie situation. Steve’s plan is to find a place out in the country where they can all be safe while waiting out the war. Things don’t go exactly as planned, but the plot buzzes along at a nice clip and the shambling zombies prove no match for Steve’s posse, loaded with SUVs, baseball bats and guns.

Well into the story, Rogers name checks “Night of the Living Dead” the only zombie movie I’ve ever seen. Loved that and loved quick-thinking Steve and Jessica. Their romance in no way keeps them from cracking serious zombie skull. The gore I thought would be my biggest obstacle proved to be plentiful and colorfully descriptive, but just another part of this intense story, the first in a series by a new novelist whose work shows promise of more and even better things to come